Showing posts with label Peter Fish. Show all posts
Showing posts with label Peter Fish. Show all posts

Sunday, July 19, 2009

The Arutunian Experience

A dear friend of mine shared an experience she had at a Jazz club in Boston in the early 70’s. On the bandstand was the masterful Duke Ellington billed together with the illustrious Count Basie. True to form, the duo came together resonantly, creating an awe-inspiring show for the packed house. What set this particular show apart was the presence of legends Mel Torme’ and Ella Fitzgerald, who had come to watch. Towards the end of the show, the Velvet Fog and the first Lady of song were invited up to share their word. What followed was a barrage of musical and technical prowess completed with the trading of fast lyrical scat lines. “At that moment” my friend said, “it was abundantly clear that every one in the room had been privy to deep and powerful music moment.” When the stars align and incredible music happens, you know it! You don’t have to have aficionado status to understand the waves of experience, talent, knowledge, heart and catharsis that the artists send to the listener.

The recording of “Resonance” added several peek experiences to the list of wonderful moments in my career. Among these moments, was the recording of Alexander Arutunian’s trumpet concerto with friend and guitarist extraordinaire, Jack Antonoff. Jack is a founding member of the break out classic rock band Steel Train. Steel Train (who are signed by Drive Thru Records) has made many waves throughout their ten-year existence, including a rigorous national tours and appearances on “Late Night with Conan O’Brian.

The original sketch of “Resonance” included my vision of a restyling of Arutunian’s popular Trumpet Concerto. This proved to be one of the only tunes to remain a solid contender on the list of music that was to be recorded. Through the process, of planning a record, tunes are added, subtracted, and added again as part of the trial period for maximum expression. Although of Armenia descent, Arutunian’s trumpet concerto always whispered sounds of a diverse ethnic spectrum. I immediately gravitated towards the simple yet edgy voicing of electric guitar and trumpet. Producer/arranger Peter Fish and I worked together to make salable cuts and reduce (the reduction) of Arutunian’s flashy work.

Watching Jack perform is an incredible experience. His electric stage presence exceeded only by his remarkable musicianship and ease on the guitar, is simply viral! Due to his heavy schedule, we had small “spots” of rehearsal time to prepare for our recording date. With arrangement and trumpet in hand, I walked into our first rehearsal. It was immediately clear that Jack’s learning style is incredibly organic. His amazing style and agility, aid in his quick response to musical comprehension; he can pick anything up by ear. We slowly worked through the once traditional concerto with much excitement, as new sounds emerged. We’d rehearsed three times throughout several months, gaining momentum each time. Partially by design but mostly by accident, our rehearsals led up to “peeking” at the recording session. What happened for me at the session was irreproducible. Jack and I played off each other as if we'd been playing the piece for years. I vividly remember our takes of the slow section; we had honed into each other on a wavelength that happens only on rare occasions. The focus and delicate intensity reeled in everyone present. The colors emoting from Jack’s guitar painted a whole new picture and interaction. Listening to the play back, the stage is set on a hot summer day in a small village in a Mediterranean land. A small group of friends sit and gaze at a calm, dreamy sunset. One listener remarked, “It sounds like Quentin Tarantino meets the trumpet.” The majority of “Resonance’s” sixth track (Arutunian) ended up being our first takes. The magic of this experience resonated as vividly as my friend’s experience at the Jazz club in Boston. These emotions can supersede any unwanted criticism or outside influence, truth lies at a core level within each of us. I encourage everyone to reach for truth within you, and feel the empowerment and perpetuated energy that follows. Best wishes on your journey.

Sincerely yours,

Joey

Wednesday, April 8, 2009

Resonance Record Release: Hosted by RMG, Rogan, and Veuve Clicquot

On Thursday, April 2, my company, RMG in association with couture clothing company ROGAN and Veuve Clicquot (champagne) hosted my record release party at ROGAN's Bouwerie Lane Theater. Charles began meticulously planning a few months prior. His efforts certainly paid off! The party proved to be one of the hottest spring events in New York City!
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When I arrived at ROGAN (located at Bond and Bowery in NYC) everyone was busy preparing the space and making sure every detail was perfect. Everyone assisting the event was incredible! Our staff made sure that our vibe of elegance and a down to earth “je ne sais quoi” was projected; true to form! A very special thanks to Charles Ressler, Lindsay Homes and Jamie Fig for their incredible planning and coordination. I stepped into the back room and warmed up. I soon re-emerged to find our guests arriving. The event had an incredible spread of food compliments of Verve restaurant in Somerville, NJ. Veuve Clicquot was perfectly placed throughout the room. Our friends at Veuve were wonderfully accommodating, and made sure we were able to share their brand with our guests. If you've never had the pleasure of tasting the virtuoso of champagne, it is a must!

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After a bit of conversation with the first to arrive, I looked up and realized the room was packed!
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Wall to wall laughter and clinking champagne glasses sounded miraculously like an opus! An overwhelming response from our friends, family and business associates!

Among the guests that attended were:

Rogan Gregory – Designer for Rogan

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Pat Obermier – Creative Director – New York1

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Laura Breckenridge - Actress

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Bob Doyle, Lana Israel, Gina Pero

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Dana Parish – Singer/Songwriter

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Julia Haltigan

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Scott Irby-Rannier – Singer (formerly of Steel Train)

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Ian Mcglynn – Singer/Songwriter

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Simon Boyar – Percussionist Extraordinaire

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Lydia Gordon – Queen of Vintage and one of my favorite people

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Cynthia Altoriso – Stylist (Joey’s)

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Peter Ressler and Monika Mitchell-Ressler (Charles’ Parents)

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Bob and Linda Sebo – Our Angels

We played a quick set and turned up the heat of the party! The set list was;

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-Partita
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-Crazy

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-Looking In

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-Wrapt

On the band stand was Resonance’s genius producer Peter Fish along with Clint de Ganon on drum set and Carlo DeRosa on Bass.
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A special thanks to ROGAN for the super chic threads! Rogan's clothing designs are edgy and unique. Their brand possesses oodles of integrity in addition to being totally environmentally conscious.

Tantalizing vocalist Daryl Sherman, stepped in to lend her sultry prowess on Crazy.
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Thanks to Carlo and his wonderful feature on Looking In. The band cooked Wrapt! Clint's interpretation on our live rendition of Wrapt was off the hook! The crowd went berserk.

Again, one million thanks to ROGAN for their incredible patients and sweat equity through this process.

Following the Bouwerie Lane Theater party, we continued on to the after party at Plan B. Plan B proved to be more difficult to get to than we thought, but we all got there at one point or another. At the same time as our arrival, HBO was filming a segment on 10th St. and Ave. A. Close friends and family made their way, and danced the night away. Duvel, fine beer, was the hit of after party! Being a HUGE Duvel fan, it was great to see people’s reaction to the “Trappist Monk” brewed beauty. We arrived home close to 4 am. Although it all happened in the blink of an eye, the event is permanently ingrained in our minds, truly resonant! Enjoy the pictures!




Joey


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